Men, I would like to give this opportunity to extend your formal invitation. Gender equality is your issue, too. To date, I’ve seen my father’s role as a parent being valued less by society. I’ve seen young men suffering from illness, unable to ask for help for fear it will make them less of a man. I’ve seen men fragile and insecure by what constitutes male success. Men don’t have the benefits of equality, either. We don’t want to talk about men being imprisoned by gender stereotypes but I can see that they are. When they are free, things will change for women as a natural consequence. If men don’t have to be aggressive, women won’t be compelled to be submissive. If men don’t need to control, women won’t have to be controlled. Both men and women should feel free to be strong. It is time that we all see gender as a spectrum instead of two sets of opposing ideals. We should stop defining each other by what we are not and start defining ourselves by who we are. We can all be freer and this is what HeForShe is about. It’s about freedom. I want men to take up this mantle so their daughters, sisters and mothers can be free from prejudice but also so their sons have permission to be vulnerable and human, too and in doing so, be a more true and complete version of themselves - Emma Watson for HeForShe UN campaign

Men, I would like to give this opportunity to extend your formal invitation. Gender equality is your issue, too. To date, I’ve seen my father’s role as a parent being valued less by society. I’ve seen young men suffering from illness, unable to ask for help for fear it will make them less of a man. I’ve seen men fragile and insecure by what constitutes male success. Men don’t have the benefits of equality, either. We don’t want to talk about men being imprisoned by gender stereotypes but I can see that they are. When they are free, things will change for women as a natural consequence. If men don’t have to be aggressive, women won’t be compelled to be submissive. If men don’t need to control, women won’t have to be controlled. Both men and women should feel free to be strong. It is time that we all see gender as a spectrum instead of two sets of opposing ideals. We should stop defining each other by what we are not and start defining ourselves by who we are. We can all be freer and this is what HeForShe is about. It’s about freedom. I want men to take up this mantle so their daughters, sisters and mothers can be free from prejudice but also so their sons have permission to be vulnerable and human, too and in doing so, be a more true and complete version of themselves - Emma Watson for HeForShe UN campaign

I was in the Middle East right after 9/11, and the Muslim world was appalled at what had been done in their name, these crimes against humanity that had been committed on American soil.

And the way you fight terrorism is you isolate the terrorists within their own society, and this is not a new understanding, and we had gone a long way to doing that because of the attacks of 9/11. And if we had had the courage to be vulnerable, if we had built on that empathy that was being poured out towards us, we’d be far more secure and safe than we are today.

Instead, we responded just the way Al-Qaeda and these groups wanted, which is to invade and begin dropping iron fragmentation bombs all over the Middle East, which resurrected the Jihadist movement.

Chris Hedges

"On the evening of September 11, 2001, about ten thousand Iranian people gathered in Madar Square, on the north side of Tehran, in a spontaneous candlelight vigil to express sympathy and support for the American People." - Source

Al Qaeda is in many ways stronger than it was before 9/11.” - Source

"Iraq War helped Al-Qaeda recruit." - Source

(via thefreelioness)

nyctaeus:

“Young prudes at Wellesley College are going crazy over Tony Matelli’s new hyper-realistic sculpture, Sleepwalker, which has been placed in a high-traffic outdoor location on the all-girls campus for his current exhibition, New Gravity. Not understanding that the sculpture is art, and not a real person, students have been petitioning that the work be moved out of their bubble and inside the art museum where only people who choose to view it, can. Very good preparation for the real world, ladies.”

nyctaeus:

Young prudes at Wellesley College are going crazy over Tony Matelli’s new hyper-realistic sculpture, Sleepwalker, which has been placed in a high-traffic outdoor location on the all-girls campus for his current exhibition, New Gravity. Not understanding that the sculpture is art, and not a real person, students have been petitioning that the work be moved out of their bubble and inside the art museum where only people who choose to view it, can. Very good preparation for the real world, ladies.”

thelittlebosnian:

momo33me:

Tuesday August 26th, the Belgian feminist activist group Lilith’S took Liège airport by storm to condemn the airport authorities’ role in supplying arms to Israel. Under a banner bearing the slogan “HOW MANY TONS OF WEAPONS FOR SO MANY LITERS OF BLOOD ? “, the activists spilled a hundred liters of fake blood, creating a red pool to symbolize the slaughter committed by Israel in Palestine.

this is so awesome that I can’t even begin to comprehend. Applause for them. 
Zoom Info
thelittlebosnian:

momo33me:

Tuesday August 26th, the Belgian feminist activist group Lilith’S took Liège airport by storm to condemn the airport authorities’ role in supplying arms to Israel. Under a banner bearing the slogan “HOW MANY TONS OF WEAPONS FOR SO MANY LITERS OF BLOOD ? “, the activists spilled a hundred liters of fake blood, creating a red pool to symbolize the slaughter committed by Israel in Palestine.

this is so awesome that I can’t even begin to comprehend. Applause for them. 
Zoom Info

thelittlebosnian:

momo33me:

Tuesday August 26th, the Belgian feminist activist group Lilith’S took Liège airport by storm to condemn the airport authorities’ role in supplying arms to Israel. Under a banner bearing the slogan “HOW MANY TONS OF WEAPONS FOR SO MANY LITERS OF BLOOD ? “, the activists spilled a hundred liters of fake blood, creating a red pool to symbolize the slaughter committed by Israel in Palestine.

this is so awesome that I can’t even begin to comprehend. Applause for them. 

cocoastripper:

queer-punk:

WE NEED FEMINISM BECAUSE WHEN LANCE ARMSTRONG GOT CANCER AND LOST A TESTICLE IT WAS ALL ABOUT HIS HEALTH AND HOW INSPIRATIONAL HE WAS BUT WHEN ANGELINA JOLIE GETS A DOUBLE MASTECTOMY TO PREVENT HERSELF FROM GETTING CANCER, IT’S ALL ABOUT HOW SHE WON’T BE A SEX SYMBOL ANYMORE AND HOW MEN ARE OFFENDED CAUSE SHE WON’T BE AN OBJECT FOR THEM 

I’m pretty sure I reblog this already but this need to be reblog again

bensbardom:

queerembraces:

David Wojnarowicz wore this jacket in 1988, just 4 years before he’d ultimately die from AIDS. Sadly, just a few years ago some of his artistic work was censored at the Smithsonian. People in power are still content to try and erase his history and the continued struggles of people with AIDS

everyone everywhere please please please reblog this important artist. 

bensbardom:

queerembraces:

David Wojnarowicz wore this jacket in 1988, just 4 years before he’d ultimately die from AIDS. Sadly, just a few years ago some of his artistic work was censored at the Smithsonian. People in power are still content to try and erase his history and the continued struggles of people with AIDS

everyone everywhere please please please reblog this important artist. 

The illness of a doctor is always worse than the illnesses of his patients.The patients only feel, but the doctor, as well as feeling, has a pretty good idea of the destructive effect of the disease on his constitution.This is a case in which knowledge brings death nearer.

― Maxim Gorky (via psych-quotes)

thepeoplesrecord:

Women Artists Visibility Event: The Museum of Modern Art opens but not to women artists, NYC on June 14, 1984Shot by Clarissa Sligh
Despite the increased visibility of women artists by 1984, most were not included in mainstream gallery or museum exhibitions. When the Museum Of Modern Art opened the exhibition the “International Survey of Painting and Sculpture,” with great fan fare, of the 169 artists chosen, all were white and less than 10 percent were women.
Women artists were incensed. The Women’s Caucus for Art and other women’s groups in the area organized to protest the underrepresentation of women artists.
Included in the photographs are Lucy Lippard, May Stevens, Linda Cunningham, Emma Amos, Sabra Moore, Sharon Jaddis, and Alida Walsh. The posters were pasted all over Soho, a vastly different place from the Soho of today.
Zoom Info
thepeoplesrecord:

Women Artists Visibility Event: The Museum of Modern Art opens but not to women artists, NYC on June 14, 1984Shot by Clarissa Sligh
Despite the increased visibility of women artists by 1984, most were not included in mainstream gallery or museum exhibitions. When the Museum Of Modern Art opened the exhibition the “International Survey of Painting and Sculpture,” with great fan fare, of the 169 artists chosen, all were white and less than 10 percent were women.
Women artists were incensed. The Women’s Caucus for Art and other women’s groups in the area organized to protest the underrepresentation of women artists.
Included in the photographs are Lucy Lippard, May Stevens, Linda Cunningham, Emma Amos, Sabra Moore, Sharon Jaddis, and Alida Walsh. The posters were pasted all over Soho, a vastly different place from the Soho of today.
Zoom Info
thepeoplesrecord:

Women Artists Visibility Event: The Museum of Modern Art opens but not to women artists, NYC on June 14, 1984Shot by Clarissa Sligh
Despite the increased visibility of women artists by 1984, most were not included in mainstream gallery or museum exhibitions. When the Museum Of Modern Art opened the exhibition the “International Survey of Painting and Sculpture,” with great fan fare, of the 169 artists chosen, all were white and less than 10 percent were women.
Women artists were incensed. The Women’s Caucus for Art and other women’s groups in the area organized to protest the underrepresentation of women artists.
Included in the photographs are Lucy Lippard, May Stevens, Linda Cunningham, Emma Amos, Sabra Moore, Sharon Jaddis, and Alida Walsh. The posters were pasted all over Soho, a vastly different place from the Soho of today.
Zoom Info

thepeoplesrecord:

Women Artists Visibility Event: The Museum of Modern Art opens but not to women artists, NYC on June 14, 1984
Shot by Clarissa Sligh

Despite the increased visibility of women artists by 1984, most were not included in mainstream gallery or museum exhibitions. When the Museum Of Modern Art opened the exhibition the “International Survey of Painting and Sculpture,” with great fan fare, of the 169 artists chosen, all were white and less than 10 percent were women.

Women artists were incensed. The Women’s Caucus for Art and other women’s groups in the area organized to protest the underrepresentation of women artists.

Included in the photographs are Lucy Lippard, May Stevens, Linda Cunningham, Emma Amos, Sabra Moore, Sharon Jaddis, and Alida Walsh. The posters were pasted all over Soho, a vastly different place from the Soho of today.